["I believe you have created a new type of biography ... ". K. R. Eissler's letters to Wolfgang Hildesheimer].
Identifieur interne : 000755 ( Main/Exploration ); précédent : 000754; suivant : 000756["I believe you have created a new type of biography ... ". K. R. Eissler's letters to Wolfgang Hildesheimer].
Auteurs : Hartmut Buchholz [Allemagne]Source :
- Luzifer-Amor : Zeitschrift zur Geschichte der Psychoanalyse [ 0933-3347 ] ; 2010.
Descripteurs français
English descriptors
- KwdEn :
- MESH :
- geographic : Austria, Germany, New York.
- history : Correspondence as Topic, Music, Psychoanalysis, Psychopathology.
- Famous Persons, Historiography, History, 18th Century, History, 20th Century, Humans, Male.
Abstract
These letters, hitherto unpublished except for two and archived in Hildesheimer's estate, were mainly written in 1977/78. They are reactions to Hildesheimer's book about Mozart (1977), centering on two topics: Mozart's relation to his "Bäsle" (female cousin) and their different estimation of The Magic Flute. Eissler emerges as a Mozart connoisseur, "being in love" with the libretto of The Magic Flute which he defends against Hildesheimer. His preoccupation with this opera is testified by a set of manuscripts which are also discussed in this paper. The two writers concurred in their understanding of genius, both of its incommensurable nature and its psychopathology.
PubMed: 21560376
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">These letters, hitherto unpublished except for two and archived in Hildesheimer's estate, were mainly written in 1977/78. They are reactions to Hildesheimer's book about Mozart (1977), centering on two topics: Mozart's relation to his "Bäsle" (female cousin) and their different estimation of The Magic Flute. Eissler emerges as a Mozart connoisseur, "being in love" with the libretto of The Magic Flute which he defends against Hildesheimer. His preoccupation with this opera is testified by a set of manuscripts which are also discussed in this paper. The two writers concurred in their understanding of genius, both of its incommensurable nature and its psychopathology.</div>
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